After Farzand and Fatteshikast, Digpal Lanjekar’s 1st two flicks in the sequence of films focused to the bravery of Chhatrapati Shivaji Maharaj and the Maratha army, the writer-director returns with a bang in the 3rd movie of the collection – Pawankhind.

The film, which was delayed thanks to the pandemic, is dependent on 1 of the most popular incidents from Maratha record – the Battle of Pavan Khind. At the outset, the makers make it distinct that this is not a complete documentation of the fight, its prelude or aftermath, but a cinematic recreation intended to showcase the bravery of the Marathas concerned in this fight. So, there are cinematic liberties taken in this retelling, but the crux of the tale is maintained.

The story about the Struggle of Pavan Khind (previously known as Ghod Khind) and the bravery displayed by Bajiprabhu Deshpande and the Bandal army of 600 in opposition to the Siddhi Masud and the troopers of the Adilshahi Sultanate is effectively known throughout Maharashtra. The final result – Chhatrapati Shivaji Maharaj’s prosperous escape from Panhalgad to Vishalgad. But, does Lanjekar thrive in recreating this significant chapter from Marathi background on screen? Unquestionably!

Pawankhind is a complete cinematic working experience that is match for the major display. The film is bold in striving to check out this tale in two and a 50 % hours, but it mainly succeeds in creating the proper create up and atmosphere that sales opportunities to a amazing climax. From laying out the rationale and the figures concerned in it, to the siege of Panhala by Siddhi Jauhar, the escape approach and the actual fight, Pawankhind lays out all its cards in front you chronologically, whilst inducing a dose of background, drama and even comedian aid in amongst. The film doesn’t miss out on out on providing thanks credit score to the the vast majority of the generals who aided Shivaji Maharaj realise his dream of Swarajya.

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As for the actors, it is not an uncomplicated undertaking to provide some of the most effectively –known names from the Marathi movie and Television sector collectively in a multi-starrer of this scale. But the casting division and makers pull off this feat. Chinmay Mandlekar as Shivaji Maharaj, Ajay Purkar as Bajiprabhu Deshpande, Sameer Dharmadhikari as Siddhi Jauhar, Aastad Kale as Siddhi Masud, Ankit Mohan as Rayaji Bandal, Mrinal Kulkarni as Maasaheb Jijau, Akshay Waghmare as Koyaji Bandal every actor has offered his best to their roles. Even the supporting cast has some unforgettable performances from Kshitee Jog as Badi Begum, Harish Dudhade as Bahirji Naik, Shivraj Waichal as Harpya, Rishi Saxena as Rustam Zaman. Yet another notable overall performance that stands out is that of Ajinkya Nanaware as Shiva Kashid, the man who resembled Shivaji Maharaj and sacrificed himself for his king. The scenes involving Ajinkya and Chinmay are certain to deliver tears to your eyes.

Even though Pawankhind excels in storytelling, the complex factors, even though superior, could have been greater. The history rating overpowers dialogues in some vital scenes, and the motion choreography in some scenes fails to make the cut. Even so, all reported and accomplished, the total crew has finished its most effective to make this a massive screen knowledge. Maybe with a greater budget, these things can be ironed out in the adhering to movies of Lanjekar’s collection.

For now, Pawankhind is a good look at, and at the cinemas only.

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